TribalCon is a truly cool event and we hope you’re registered to go so we can see you there! This year we’re excited that Donna Mejia is returning and will be giving one of her amazing lectures! There’s a lot to do at this conference so be sure get a good look at the schedule and soak up some amazing knowledge from the tracks they offer.
We’ve had a great week including a super cool photo shoot featuring some of our latest items. We’ll be showcasing varying styles this Spring. We worked with an amazing photographer, Jaki, of Studio Jaki. She does great work and we appreciate her spending the day with us, making our models look fantastic. We’re also headed to TribalCon next week which is a huge Tribal Bellydance conference that features a variety of dance styles and musicians. It is hosted by Ziah of Awalim Dance Company. She and her team have a long history in the arts in Atlanta and TribalCon is a big hit nationwide with many flying in from both coasts to attend.
A good foundation in raqs sharqi is essential for a good performance. Few presentations compare to those based on a solid cultural education. Our resident archivist discusses a recent workshop where such regional raqs knowledge was given by Kay Hardy Campbell and Uza of New York. Here are her thoughts:
Praise for Kay
I recently discussed some of the highlights of the Gulf Dance Weekend hosted by Amani Jabril Middle Eastern and World Dance. Though the workshop has passed, I’m still having moments where I stop and think, “Wow, we really got a good deal on that workshop.” The classes took place at Atlanta Fusion Bellydance and Babylon Cafe in Atlanta, Georgia. Again, as I mentioned in a recent article, we are so fortunate to have a large international commnunity with leaders and producers that are committed to showcasing raqs sharqi beyond the bedluh so to speak. The Khaleegi and Iraqi Dance workshops featuring those two instructors/teachers (I consider Kay a scholar) went above and beyond the countless Khaleegi courses that I’ve seen in the past. It went beyond hair tosses.
Kay demonstrated not only dances for women but also for men. This is very important. When one is constructing presentations and dance shows for a cultured audience (i.e. members of governmental organisations, young students looking to learn about the region or even those looking for a true glimpse into the East through a party) you’ll want teachers like Kay who are familiar with the language and cultural nuances, i.e. a teacher who can (or is eager and willing to) go beyond “Yalla Habibi.” It’s awesome to have the basics down but it’s even better when alongside learning “dance steps” one is learning about the people and the music that fuel these steps. It’s extremely important. Kay provided all of that and more. She talked about the garments used in the region for this particular dance in depth…both the mens and womens thobes. I can’t stress how wonderful and thorough she was. While this was perhaps new for some, a treat and learning experience; it was a great deal of welcomed nostalgia for those of us who are expat kids, international community members and dancers who embrace and appreciate “regional raqs.”
Uza is Outstanding
I feel Uza really does a great job of teaching as well. She does this by giving her students and attendees visuals featuring the people and dance from the region. She also shows the development, progress and changes that Iraqi dance has experienced. She was very honest in her presentations and didn’t pretend to know every single thing. She stated what she knew and allowed others who were also knowledgeable about the dance to speak as well. While I can’t just give away her work online, I must say I felt her instruction was very thorough and well thought out. She’s certainly worth booking to teach a class or get students introduced to Iraqi dance.
Neither of these instructors carried an air of superiority or some of the controversial attitudes that we sometimes hear about when someone gains this type of cultural dance knowledge. They were gracious and eager for their attendees to grasp what they were teaching. There was no showing off or large egos shown toward us as students and fans. There was just a real desire for everyone to “get it.” I feel that many in that studio walked away with a wealth of knowledge greater than what one might get in a course that focuses on just “the dance.” It’s understandable that some are not interested in the cultural aspect but I feel knowing it makes a difference and shows in performances. A performance can go from good to oustanding when those intricate cultural moves just show up, sometimes naturally as one “becomes one” with that cultural knowledge. I hope that makes sense. I could discuss the benefit of these two instructors’ teaching methods all day…they were two of the best courses I’ve ever attended in regards to Gulf Dance and regional raqs. I’m so grateful to have had the opportunity to see them in person and enjoy their energy and dedication to the culture.
For more information on cultural dance classes in Atlanta you can always reach out to us here at askmissbellydance. To get in touch with Kay, Uza or their host Amani please click on their names highlighted within the sentence. We encourage everyone to take some time to enjoy going beyond the bedluh. Sign up for a class that focuses on the music and culture of the area you are most interested in and let us know your thoughts on the course.
Thanks for reading!
This month MissBellydance.com is going Red for Women! You can join us as well. 5% of the proceeds from any MissBellydance.com order will go to the American Heart Association. All month long we’ll be looking at how to keep the heart healthy. We’ll explore how the American Heart Association educates the world on heart health. If you or someone you know has experienced heart issues or is overcoming we’d like to hear from you. You can send us an email on Facebook.
Today we are wearing Red for Women. February 6th is National Wear Red Day. We encourage you to wear red too!
Thanks for reading!